. all rights belong to Tanis Harms, © 2014
. refer to www.church-skits.com
THE FINAL HUMILITY (MUSICAL) – written by Tanis Harms
PREMISE: The late 1700s. Marcus Stealthbury,
. a rich young man, squanders away
. his father’s entire fortune and finds
. himself destitute. The only one who will
. take in him and his sister – is their cook –
. whom he had mistreated under his employ.
. Having to actually work to live,
. Marcus now finds satisfaction in life.
. But more than that is the strength and joy
. he finds through his spiritual journey
. from “poverty” to “riches”.
STYLE: drama/musical (SCRIPT FOR NONMUSICAL)
NOTE: can be prequel to "The Ultimate Gift"
TOPIC: finding God, and choosing a wise lifestyle
SCRIPTURE: Ps.37, Prov.24:1-6, 27:23–24, 28:19–20,
. 2Cor.6:14, Col.3:23
NOTES: for CAST, COSTUMES, SET, PROPS and MUSIC
. $30.00 USD to receive a DIRECTOR’S SCRIPT
. (plus sheet music)
. how you receive this & package description
SCRIPT: ACT 1
. CENTER STAGE - CITY SQUARE
SONG 1: “Come What May”
(POOR PEOPLE enter timidly and wearily from stage right,
and creep out to cover the stage as they sing.
Include lots children [mostly BEGGAR KIDS].)
POOR (sing) Slaving, toiling from early morning,
. This work lasts the entire day,
. Just to buy the bread to feed us,
. and a bit more for our pay.
(ARISTOCRATS strut out arrogantly from stage left
and form a line from front to back and slightly angled.
Include a few children. ARISTOCRATS put a hand out
as if to push the POOR aside as they sing,
then go back to their self-absorbed posing.
Meanwhile, POOR form an angled front-to-back line on
the opposite side and stand with down-trodden postures.)
ARIST. (singing second part of verse 1)
. Those are peasants we ignore
. we are high class...
(ARISTOCRATS venture to middle of the stage as they sing,
and primly dance around as if at a ball.)
ARIST. (continue singing second part of verse 1)
. leisure life styles we adore
. we the upper crust
. they exist to serve us when we fuss
. we do want it all
. none for them and all for us
. we deserve it all
(ARISTOCRATS stop to motion to themselves on last line.
GENTRY enter down the center, trying to mingle with
ARISTOCRATS, who quickly go back to form their angled,
front-to-back line, and look down their noses at GENTRY.
GENTRY look hopefully at ARISTOCRATS. Rejected by them,
GENTRY quickly turn to look down their noses at POOR.)
GENTRY (singing verse 2)
. Climbing up the social ladder
. (put a hand to block POOR from their sight)
. We the gentry shun the crude
. but we labor seeking credit,
. (look wishfully at RICH)
. all in hopes should THEY include
(ARISTOCRATS turn their noses up at the GENTRY as they
promenade to form a front row and put on airs.)
ARIST. (singing to second part of second verse)
. Those are gentry we ignore
. we are high class
. liesure life styles we adore
. we the up-per crust
. they exist to serve us when we fuss
. we do want it all
. some for them but most for us
. we deserve it all
(As ARISTOCRATS sing their last lines, they walk out
fanning themselves, etc. to stage left. GENTRY quickly
go to stand in line where ARISTOCRATS had been standing.)
POOR (singing to first half of last verse)
. Slaving, toiling all waking moments,
. for our bread and a bit of pay.
GENTRY (singing second half of last verse)
. We the gentry also labor,
. but for status, come what may.
(POOR PEOPLE exit to right stage. GENTRY exit left.
Continue playing music until everyone has exited.)
. CENTER STAGE - RESIDENTIAL STREET
(CAROL giggles as she tiptoes in from back stage left,
then exits front stage left. Also in a playful mood,
MARCUS STEALTHBURY enters from back stage left with his
shirt flapping open. Obviously he is playing a game of
hide-and-seek with CAROL. As he looks around for her –
ELIZABETH, and MR. & MRS. WALTERS stroll from back stage
right to center stage. They each carry a little Bible.)
MARCUS Carol? Caaarol? Where did you go,
. you little minx?
(Seeing MARCUS’S opened shirt as he turns around,
MRS. WALTERS shields ELIZABETH’S eyes with her fan while
doing her best to look indignant – and not look at him.
MR. WALTERS makes sure his women have their eyes averted,
while scolding MARCUS.)
MR. W Now what?... Young man, do you mind!
(MARCUS looks down at his shirt and stifles a giggle.
As MARCUS tries to button his shirt, ELIZABETH steals
a glance, but with more of a disdainful scowl.)
MARCUS I beg your pardon, ladies and gentleman -
. GOOD neighbors, all.
MR. W And when will you become a BETTER neighbor,
. sir? Ever since your father passed away –
. God rest his soul – you have held a party
. in his stead.
MARCUS Yes! A party of mourning.
MRS. W With such gaiety and goings-on? 4
MARCUS To celebrate his life and success. The length
. of his illustrious career shall indicate
. the length of this - “memoriam”.
(MARCUS stifles his giggle when met with stern
expressions, then bows to ELIZABETH’S incensed glares.)
MARCUS Perhaps one day this party - shall become
. a wedding celebration.
(ELIZABETH gasps slightly at his insane boldness.)
MR. W Not with MY daughter, it will not.
. Only a Christian gentleman of upright integrity
. will befit our Elizabeth.
MARCUS Miss Elizabeth Walters, can you not speak
. for yourself?
ELIZ (firmly) Only a Christian gentleman
. of upright integrity will befit me.
MARCUS (musing) Funny, those sound strangely similar
. to your father’s pious words.
ELIZ My father is a wise man. (poses a challenge)
. And from what we know, YOUR father
. was also a wise man - who worked earnestly.
MARCUS Alas, he had no knowledge of how to enjoy life.
. After all, a TRUE gentleman does not work.
. ALL work – or ANY work at all – in my books –
. spells out a dreary socially unacceptable
. existence. And I have a LOT of books!
ELIZ (sincerely) Though there is but ONE book
. that counts, and it spells out the true life
. of abundant joy. (motions to her little Bible)
MARCUS (gags) You have but one book?
. And do you carry that with you always?
ELIZ We are just returning from church, sir.
. It is not only the Sabbath, but Easter Sunday-
MARCUS (to MR.W) Congratulations, Mr. Walters, you 5
. have indoctrinated your daughter rather well.
MR. W And you will NOT be the undoing of her.
. Good day to you.
MARCUS You are so sure of that.
(As MR. WALTERS ushers MRS. WALTERS and ELIZABETH away,
toward front right stage, MARCUS muses.
From offstage, CAROL calls him out of his revere.)
CAROL Yoo-hoo, what kind of foxhunt is this
. if you get distracted by rabbits?
(Smiling, MARCUS dashes offstage to look for CAROL.
The WALTERS speak as they continue their walk.)
MR. W Uncouth fool.
MRS. W Unsavory, to say the least.
ELIZ Yet still deserving - of our prayers.
. (seeing PARENTS’ questioning look)
. To save his soul, of course!
MR. W Indeed.
(They nod in somber agreement as they exit.)
SCENE CHANGE EXCERPT 1: Mozart’s Minuet in C Major
. CENTER STAGE - STEALTHBURY’S OPULENT HOUSE
(ARISTOCRATS can be heard laughing and partying.
ALL drinking too much [but make it church-friendly].
CHARLES creeps in while talking, BECKY is close behind.)
CHARLES Marcus! Now where is he?
BECKY Marcus, darling!
(MARCUS appears from another entrance point, walking in
backwards as he addresses those in “another room.”
RICH MAN 1’S VOICE calls out gaily from off stage.)
MAN 1 Your quip of the moment, good sir!
MARCUS (pauses to think, like it’s a sort of game)
. Oh, uh, ah! Seize the day,
. and whatever else is within your grasp.
MAN 1 (off stage) Here-here!
BECKY (coyly) Oh, Marcus, darling.
MARCUS (spins around to find CHARLES and BECKY)
. You beckon, Becky dearest?
BECKY I beckon for Charles.
MARCUS Ah, but you call out MY name.
BECKY (laughing) I beckon you to aid Charles
. in his beckoning for you. (turning to CHARLES)
. Why do you beckoneth, deareth Charles?
MARCUS (laughing, then mockingly) Yeth, why
. dotht thou beckoneth, deareth Charles?
. (BECKY thwacks MARCUS playfully with her fan)
CHARLES We are in dire need of more refreshments,
. my good, DEARETHT - hoth-t. (lisps on “host”)
MARCUS Sounds like you both have emptied the cabinet.
CHARLES And this is exactly why – it needs replem-in-
. replem-in-ish-ing, it needs replenith-ish-ing –
. this is why - we need some more.
BECKY Indeed. We need some more.
. We are right out... of everything.
(STEWARD angrily walks by with a tray of dirty things.)
MARCUS Steward! Refreshments are required
. in the main ballroom. Immediately!
. Anything of value on that tray?
STEWARD (eyeing the tray) The - silverware – sir?
(MARCUS glowers at the STEWARD to hold his tongue,
then turns and playfully shoos CHARLES and BECKY out.)
MARCUS Run along and have some fun, 7
. dear sweet friends. A reprimand is in order,
. and you needn’t endure the fiasco.
BECKY Then do not tarry, Marcus.
. It is not quite the party without you.
MARCUS (quipping) Is not the idea “to party” –
. all based on the art of HOW “to tarry?”
CHARLES Well said.
BECKY (laughing) Well then, hurry henceforth
. to carry on the tarrying.
MARCUS Brilliant! Now off you go then,
. and let me go about my business of leisure.
. (shoos CHARLES & BECKY offstage left, then
. turns to STEWARD who still stands rigid)
. This is the second complaint thus far today.
. Is anyone addressing this matter? Is someone
. fetching the administrator as I requested?
STEWARD Yes sir, but-
MARCUS -But? No buts! I expect a spread delivered-
STEWARD (imploring) But - sir –
MARCUS You challenge me? I have a good mind to
. send you to the streets at this very moment.
STEWARD I – I implore you, sir, I have done my best
. to keep up with all demands. Your party,
. has been enjoyable for all, and the feasts–
. without end – have been splendid -
MARCUS Get on with it!
STEWARD As already stated, we are –
. right out of food –
MARCUS Yes, as noted by my guests.
. Now, please- put out more food.
STEWARD I mean – there is no more to put out - 8
. as explained by the cook.
MARCUS Send the cook out at once.
(STEWARD jumps to and rushes out. As MARCUS waits,
a SERVANT enters from stage right and announces...)
SERVANT May I announce your sister, Adriana,
. who has returned from Paris, sir.
(ADRIANA, dressed in black, enters, her MAID following
close behind. The MAID carries a box of chocolates,
which she tries to keep hidden behind her back.)
ADRIANA (to SERVANT) Servant! Have my things delivered
. through the back and up to my room at once.
. (to MAID) Go prepare my clothes. I am simply
. DYING to get out of this dress of mourning.
(ADRIANA gives MAID her muff and/or clutch bag, and MAID
quickly slips her the chocolates before she and SERVANT
dash offstage. ADRIANA holds the gift behind her back,
as MARCUS pecks her on both cheeks, playfully expressing
concern. Familiar with this game, ADRIANA plays along.)
MARCUS Sister, dear. I am elated to see you.
. Did you mourn long and hard for the both of us?
ADRIANA I did. And I see that you have partied
. long and hard – for the both of us.
MARCUS Aw, sweet Adriana, I’m sure Paris was not
. the most uncomfortable of places to be sad.
ADRIANA It was tolerable. Now, I shall not spend
. a moment longer in these clothes of death.
. It is time to live again. It is time to
. seek out laughter and gaiety. Do you not
. have a quip for the moment, dearest brother?
MARCUS (thinks) Parting may bring sweet sorrow,
. but reuniting and partying can bring sweeeet –
. (ADRIANA quickly holds out the chocolate box)
. Chocolates! Sweet succulent chocolates
. from Paris!
ADRIANA Nothing but the best. A gift for you. 9
MARCUS (accepts the box and peeks inside)
. I am shocked that you refrained from eating
. them all. Thank you, indeed.
ADRIANA Now I shall put on my most splendid dress
. that I bought whilst in Paris.
. A gift from YOU to me, by the way.
MARCUS I cannot wait to see what I bought you.
. I sincerely hope that I have exquisite taste.
ADRIANA Only the finest.
(STEWARD timidly follows LILY in from back stage left
and waits for ADRIANA to exit stage left. MARCUS swings
his attention over to LILY’S confident countenance.)
MARCUS Lily, you have served our family for many
. years. And because this is the first time
. anything like this has ever occurred, I will
. give you a chance to explain - before I send
. you to the streets. We live in a city rich
. with trades and markets – why did you not
. have someone go out and buy more supplies?
LILY Sir, it is impossible to do so without money.
MARCUS So is the administrator on his way, then?
(STEWARD nods with a bow.)
LILY Are you not aware that the administrator quit
. last week? And whilst we are on the subject,
. I will be handing in my resignation-
MARCUS What?! WHY?! WHAT is happening?!
. Where would I find another cook at this time?
. AND, why would you ever quit my employ?
. Certainly I pay you more than fair wages!
LILY Sir, I will stay on until the month’s end.
. Now! You have a situation on your hands.
. I MIGHT be able to scrounge up enough for
. two square meals TODAY, leaving just a bit
. for tomorrow. THEN - there will be nothing.
MARCUS No, no scrounging. I expect all tables
. to remain laden with splendor! – Nothing but
. the best! GO! – kill the fatted calf!
LILY The only livestock left are your horses – sir.
MARCUS Oh, well, we cannot have that...
(SERVANT ushers in the ADMINISTRATOR.)
SERVANT The administrator has arrived, sir.
MARCUS (hands the chocolates to LILY)
. Add this to the mix - and do the best you can.
(LILY bows. SERVANT and STEWARD follow her out.
Fists on hips, MARCUS stares at ADMINISTRATOR.)
MARCUS What is this shortage all about? Petty cash
. amounts should always be maintained at-
ADMIN. Sir, I no longer work for you.
. I was relieved of my duties last week
. by your company’s board of directors –
MARCUS They cannot do that without my say so –
ADMIN. Oh but they can. You gave signing rights over
. to your – friend-of-sorts... Mr. Henry Madison.
MARCUS Yes, I can trust Henry Madison.
ADMIN. Hm, well, not every detail has been disclosed
. to me, but - there was something to do with
. a risky foreign business venture.
MARCUS I was not aware. I should speak to Henry –
ADMIN. You should have thought about that much sooner.
. What is done is done.
MARCUS WHAT is done?
(ADRIANA enters, now wearing a stunning gown -
followed by MAID, and CAROL - just in time to hear.)
ADMIN. Oh, NOW you wish to know... 11
. You have nothing left... sir.
MARCUS I still have all my land and assets –
ADMIN. All used to finance that venture. It pains me,
. somewhat – to say this. Understand,
. at some point soon, there will be men
. who will come - to carry you out – if need be.
MARCUS They’ll not give me time to pack my valuables?
ADMIN. All included with your assets, sir.
MARCUS Not my CLOTHES!
ADMIN. To be sure - they will let you to keep
. the clothes on your back.
ADRIANA And MY clothes? All of my things? MY clothes!
ADMIN. I am sorry, ma’am.
(ADRIANA glares at CAROL, who quickly exits with the
fresh gossip. ADRIANA turns her wrath on MARCUS.)
ADRIANA What have you done? What – have you done?
MARCUS It could turn around.
ADMIN. If you wish NOT to be humiliated, you will
. make arrangements and leave immediately.
MARCUS Wait, what do you mean? Make arrangements
. for WHAT - and WITH what?
(ADMINSTRATOR shrugs and moves to exit. MAID steps
in front of him boldly. STEWARD and SERVANT,
with a tray of food, enter and stop to listen.)
MAID They will pay all the help first, will they
. not? We have a month’s wages left owing.
. (ADMINISTRATOR shakes his head and leaves.
. MAID glares at ADRIANA, then to SERVANT)
. Do not bother taking my luggage to my room.
. Since we’ll not be paid a penny more,
. I’ll not stay a second longer. (stomps out)
ADRIANA No–don’t leave me!
. (to MARCUS) What have you done?!
(ADRIANA flails weak punches at MARCUS. Giving tray 11
to SERVANT, STEWARD pulls ADRIANA off MARCUS, nods, then
takes tray and exits. ALL guests sneak out past MARCUS.)
MARCUS Wait, no, where are you all going? Can anybody
. house my sister and me? Temporarily, of course.
. Charles, I have been a host to you for several
. months, could you perhaps now return the favor?
CHARLES (escorting both CAROL and BECKY)
. Sorry, ol’ chap, we are off to another party.
. But, all the best, really. Cheers.
MARCUS Are we not also invited?
CHARLES (cautiously) Marcus, you know how it is.
ADRIANA (grabs MARCUS’ arm) We can stay at an inn.
MARCUS With what? How shall we pay?
ADRIANA Can we quickly take a few things and run?
MARCUS I’ll start with the study, you begin in -
ADRIANA -my bedroom. All my jewelry!
(MARCUS and ADRIANA rush to exit stage left. Anxious
pounding at the door brings STEWARD to let in 2 big MEN.)
STEWARD We know. Servants are quickly collecting
. their personal belongings.
BIG M 1 Take nothing else, and we’ll have no issue
. with the help. Now, where are they?
STEWARD Lord Stealthbury is in the study.
. I believe the lady went upstairs –
(As the 2 BIG MEN exit stage left, STEWARD rushes out.)
SCENE CHANGE EXCERPT 2: Mozart’s Sonata No.4 Minuet 1
. CENTER STAGE - RESIDENTIAL STREET 13
(The BIG MEN push MARCUS and ADRIANA out from stage left.
If they had wigs before, they have been removed.)
ADRIANA Unhand me and return my wig and tiara at once!
MARCUS At least let me find an appropriate jacket.
(BIG MAN 1 grabs candlesticks from inside MARCUS’ vest.
BIG MAN 2 holds out his open hand to ADRIANA and waits.)
ADRIANA What? – Oh, please. Please, no! Have mercy!
. (gaining no sympathy, she becomes angry)
. Well fine, then!
. (takes off jewels) Make sure you don’t
. keep these for yourself. These are
. very famous jewels. Very recognizable.
MARCUS Could we at LEAST have our wigs back?
. It is a sign of our status.
BIG M 1 Which you no longer have.
(ADRIANA whimpers while touching up her messy hair.
BIG MAN 1 sticks his fingers into MARCUS’S vest pocket
to pull out the a pocket watch by its chain.)
MARCUS. That was my father’s pocket watch.
ADRIANA Like you cared that much about Father!
. Only his money, and now THAT is gone.
. What have you done?-What have you done?
(ADRIANA attacks MARCUS with weakly thrown punches.
BIG MAN 2 pulls ADRIANA off MARCUS. Getting the last of
the valuables from them, BIG MEN 1 & 2 enter the house.)
ADRIANA (crying out) Now what?! What ever will we do?
MARCUS (pondering, he sees something at stage right)
. Elizabeth! And someone is with her. Please...
. (to ADRIANA) -try to look – demure.
MARCUS Yes, you know the word.
(ADRIANA puts on a pathetic expression as ELIZABETH and
BERNARD approach. BERNARD glances at ELIZABETH.)
BERNARD Is this the cad -?
ELIZ Now really Bernard, do not use such language.
MARCUS Miss Elizabeth, how lovely to meet you AGAIN
. on such a - (searching) -a lovely day –
ELIZ It is a lovely day. We were just taking in an
. afternoon walk. Lord Stealthbury,
. please meet my cousin, Mr. Bernard Walters.
. (BERNARD gives a curt bow)
. Bernard, this is Lord Marcus Stealthbury,
. and his sister, Lady Adriana – our neighbors.
MARCUS Funny thing, we shall no longer be neighbors.
ELIZ Oh, ah, how – sad. You will be missed.
. (smiles at ADRIANA and notices the dress)
. I see you are no longer mourning
. your father’s passing. Still, I extend
. my sympathies and prayers to you.
MARCUS Could you maybe extend a tiny bit more
. than that?
(Gasping, ADRIANA covers her face in shame.)
ELIZ What do you mean? What has happened?
MARCUS Just a tiny bit of confusion. Probably just
. a misunderstanding in regards to our finances.
BERNARD Did you lose the family fortune?
(With pursed lips, ADRIANA flails weak fists at BERNARD.
MARCUS holds her back while ignoring her antics.)
MARCUS It would seem there was some sort of oversight.
BERNARD Or perhaps some sort of over-extension!
MARCUS Elizabeth, I humbly appeal to your benevolent
. nature and Christian kindheartedness.
BERNARD Oh, so you will not mock Christianity –
. now that a generous handout would benefit you.
MARCUS No-No! I would pay that back. And as I already
. have designs to MARRY Elizabeth-one day -soon -
. well, of course, then you should know that I –
. would be good for it - to pay back the loan.
ELIZ (almost amused, puts hand out to stop BERNARD)
. And since when have you had ANY such designs
. to marry? Let alone – ME?
MARCUS Since I met you on the lawns – this morning –
. it was all that I could think on. I realized –
. at that very moment – what I really wanted,
. and needed - was a woman of good character,
. even though you do have a lower status-
ELIZ But sir, do you not remember? I require for
. MYSELF a Christian gentleman of good character.
. Clearly, you are NOT such a man.
(ADRIANA bursts out a guffaw. MARCUS tries to remain
dignified and throws a glare back at ADRIANA.)
BERNARD I am afraid we will not be able to assist you.
ELIZ Now, Bernard, how uncharitable. One issue
. has very little to do with the other.
BERNARD Of course. (to MARCUS) A charitable loan
. might be arranged. Please make an appointment
. with Mr. Walters during next week.
ELIZ Will that be sufficient, Lord Stealthbury?
. Or is there anything else?
ADRIANA (while MARCUS thinks) Oh, you do not think
. we require charity?! My brother tends to –
. overreact to news. Please do not fret about us.
. We are just fine. And we were just getting
. ready to take in an afternoon walk ourselves.
. (touches hair, then remembers...)
. Without sporting my wig or ANY of my splendid
. jewelry - because - they weigh me down so.
. Well, good day to you then!
ELIZ Good day - then. And best wishes.
(BERNARD nods, then pushes ELIZABETH away.)
ADRIANA (once alone) I’d despise owing anything
. to that pious, GENTRY-classed family! Psh!
. We don’t need their pathetic charity anyway.
MARCUS Except – that we DO.
ADRIANA (turns on MARCUS with flailing fists)
. What have you done?-What have you done?
(As arms tire, ADRIANA begins to sob. MARCUS grabs her
and they fall into a hug. Behind them, LILY enters at
back stage left with a small trunk, then a basket filled
with kitchen utensils and a lantern hanging from it, then
belongings wrapped in a bundled blanket, and a carpetbag.
With everything outside, LILY looks over at MARCUS and
ADRIANA. STEWARD now appears with his bit of luggage.)
STEWARD (to LILY) All the best to you, ma’am.
. I’ve enjoyed working with you.
LILY Where will you go?
STEWARD I have some kinfolk in the next town over.
. (glances at MARCUS and ADRIANA) I have half
. a mind to go over there and let them know
. just how terrible they both were, and how
. they are VERY deserving of this calamity–
LILY That would demonstrate half a mind, all right.
STEWARD Bad idea? (melting at LILY’s calming look)
. I shall miss your wise counsel, ma’am.
. All the best to you, Lily, dearest. Cheers!
(STEWARD exits. LILY glances over at MARCUS and ADRIANA
then approaches them, clearing her throat for attention.)
LILY Excuse me, sir, m’lady, I will be departing.
MARCUS (looks up, blinking) Of course. Ah, thank you,
. Lily. I suppose, that is all. I do regret
. not being able to pay you for this last month.
LILY (about to leave but stops) Where will you go?
ADRIANA (breaking down) We are destitute! My brother
. squandered everything. I’m left in the lurch!
MARCUS (to LILY) I thought of seeking out friends-
ADRIANA What friends?! They were all here at our party.
. All fled from our sight. Even Charles!
. There is no one - we have nothing!
LILY You... You may - come with me then.
MARCUS (hopefully) You will take care of us?
LILY (laughs) Oh no! You would learn to take care
. of yourselves. After all, as you stated,
. you owe me for a month’s rent at least.
ADRIANA You will hold us hostage for outstanding
LILY You would simply work it off.
ADRIANA Are you mad?! We are not that desperate.
MARCUS No – wait. (to ADRIANA) Are YOU mad?
. We ARE that desperate! Unless you feel
. confident that the alleyways or
. the sewer tunnels should be comfortable enough
. and MORE to your liking?
. (to LILY) We do accept your generous offer.
LILY Good! I wasn’t sure how to carry all my
. belongings but God is so good and provides
. all our needs. (puts the basket in ADRIANA’s
. unsure hands, gives the bundle to MARCUS)
. I am sure you are able to handle this one here.
. We shall stay this night at an inn.
(LILY picks up carpetbag and one handle of the trunk, and
motions with her head for MARCUS to take the other end.
MARCUS picks up the trunk by the handle tentatively.)
MARCUS We are walking?
LILY Carriage rides are beyond the means 18
. for the likes of us. Brace yourselves
. for a nice long walk.
ADRIANA (hisses quietly) What - have - you - done?!
(LILY, MARCUS and ADRIANA exit stage right.)
. ACT 2
. CENTER STAGE - CITY SQUARE
SONG 2: “It’s a New Day”
(POOR enter with their wares, their steps are slow,
some are yawning, as they get ready for the workday.)
POOR (sing vs.1) Each morning brings to me
. a fresh new start to live,
. but as I set out to prepare
. how much more can I give?
POOR (sing vs.2) A charge to keep I have,
. Eight kids to clothe and feed.
. A never-ending schedule brings
. no energy for greed.
POOR (sing vs.3) One day is like the next
. yet onward we all trudge
. Their expectations are so high
. it’s hard not to begrudge
POOR (sing vs.4) To serve aristocrats,
. their orders to fulfill.
. O may I find a renewed strength
. to do my master’s will.
(POOR go about their business as ARISTOCRATS and GENTRY
step out to buy things. LILY comes out back stage right
with MARCUS and ADRIANA weakly lugging the belongings.)
MARCUS I cannot take one more step. My every limb
. is about to fall right off. Not to mention
. my aching head. This sobering experience –
. has some rather - sobering effects.
ADRIANA I will soon faint from hunger and exhaustion.
. How much sooner until death overtakes us?
LILY You both will live.
(LILY looks excited and strong as she grips some papers
and holds them to her chest, quickly looking up
in a short prayer. Looking around again, she sees
WOMAN with a basket of bread and waves her over.)
LILY I will take 3 loaves of bread, please.
(LILY places a coin in WOMAN’S hand, then takes 3 loaves.
As WOMAN walks away, LILY braces herself before entering.
She can pull back optional curtains to reveal interior.)
. STAGE RIGHT - LILY’S HOUSE
(LILY enters like it is a palace. MARCUS and ADRIANA
show their disdain, afraid to touch anything.)
LILY Is this not wonderful?! Such an answer
. to prayer.
MARCUS For the price of these shambles, we – ah, YOU -
. could have stayed at the inn for several months
. with full service.
MARCUS You are bold to use my Christian name.
(LILY sets down belongings and bread onto the side table.
MARCUS and ADRIANA clumsily drop everything with scowls.)
LILY Your position is gone and in case you have
. not yet realized, you are now under MY employ.
. You may use my Christian name. But now, Marcus,
. here is a lesson. Listen well if you are wise.
. AFTER a few months of luxury, all money would
. be gone. Then where would I be? On the streets-
. with you. I toiled and carefully saved up my
. income over MANY years, I will NOT squander
. that away. I have chosen to invest it wisely –
. in this property. It may not look like much,
. but it is mine. And its value will continue
. to increase. Meanwhile, aside from taxes and
. maintenance, I have a place to live- for free–
. for the rest of my days.
ADRIANA (eyeing bread) Will you share the bread?
LILY First, let us put this room into order.
. Adriana, collect the chairs. Marcus,
. help lift this table.
. (MARCUS lunges to lift the tipped over table)
. Stop! Make sure to lift with your legs.
. (MARCUS stretches out a foot to the table)
. Not what I meant. Grab it with your hands,
. but instead of bending at the back, use the
. strength of your legs. I need you free
. of injury.
(Carefully following instruction, MARCUS and LILY
set the table up properly. ADRIANA drags a chair over.)
ADRIANA There is but one chair.
LILY (points) Here is a stool and there is a crate.
(MARCUS collapses into the chair. Seeing LILY’S inquiring
eyes, he slinks off to collect the stool to sit on that.
At ADRIANA’S pout, he gets up and offers her the stool.
She plops down with a sulk. MARCUS collects the crate
to sit on. LILY pulls 3 items from the basket to serve
as plates, then brings the bread to the table. Breaking
it into 3 portions, she hands it out with the “plates”.
ADRIANA and MARCUS both go to bite, but LILY stops them.)
LILY Wait. In MY house we will first thank the Lord.
MARCUS For WHAT?
ADRIANA Oh, get on with it then. Pleeease.
(LILY bows her head. MARCUS and ADRIANA roll their eyes
at each other. ADRIANA then fixes her eyes on the bread.)
LILY Oh Lord, we thank You so much for how You
. have blessed us and have provided for us so
. generously. We thank You for our daily bread.
. And we thank You for how You will continue
. to bless our ways. In this we pray, amen.
(ADRIANA dives into the bread without any manners
as LILY nibbles. MARCUS studies the bread, then LILY.)
MARCUS Is there no clotted cream? Butter, or honey?
LILY Perhaps, if you would like to go in search and
. collect the honey from some bee hive. Or, you
. could wait until my cow is delivered, milk it,
. wait until the cream rises, and then churn THAT
. for several hours until it becomes butter.
MARCUS This should be just fine.
(MARCUS struggles to chew the dry bread. As ADRIANA
shovels the bread into her mouth, she looks back at
the side table and eyes the other two loaves longingly.)
LILY One loaf for supper tonight, and the other
. for tomorrow’s breakfast.
MARCUS Just - bread?
LILY I noticed someone selling potatoes up the road.
. But you will have to chop some firewood.
. (noticing their confused expressions)
. Fire is required to cook. As an experienced
. chef, I cannot recommend eating raw potatoes.
. I will buy some while purchasing seed.
MARCUS Seed?! What have we gotten ourselves into?
LILY (ignoring the terror in their eyes)
. Oh, well, so glad you asked. Adriana, you will
. always be in charge of keeping this abode
. as clean as possible - after every meal.
ADRIANA Why so often?
LILY Unless you want to leave out little invitations
. for all the bugs to move in.
ADRIANA Bugs? (looks around warily, afraid to move)
MARCUS Ha! That fear alone should keep her going.
LILY Marcus, today you will plow the field.
. I will get you started, then go to market.
. I will also milk the cow for today, but
. tomorrow, I will give both of you lessons.
(MARCUS suddenly struggles to swallow his bread.)
ADRIANA Unfortunately I’m also very fearful of animals,
. and – I know NOTHING of how to clean, or -
LILY Do not fear anything. Especially cows.
. They are big, but harmless.
. Now, the cooking pot will also have to serve
. as a wash basin - for dishes, and for us.
. (getting to work, pulls a pot from the basket)
. The water pump is outside, aaaand... oh, THIS –
. (takes out pitcher & cup, places on side table)
. -we will keep filled with drinking water. And
. share this cup. (searching trunk) There’s a
. shift that has seen its last days. Here it is!
. We can use this material for rags and towels.
. (pulls out old dress and lays it over chair)
. Fortunately, I have three dresses. Adriana,
. you may use this one to work in – if you wish.
. Thereby preserving the one you are wearing,
. for – going out into public.
ADRIANA I no longer wish to be seen in public.
LILY (handing the pot and pitcher to ADRIANA)
. There now, go fetch some water.
. (addressing ADRIANA’S helpless stare)
. Just place these items, one at a time,
. beneath the spout, and pump the little stick
. up and down. There’s a good girl.
. (ADRIANA slowly exits, LILY ties on an apron)
. Let’s start getting that field ready, shall we?
. God won’t help those who won’t help themselves.
MARCUS Interesting quip, I suppose. But if we help
. ourselves, what help do we need from God?
LILY Who do you think causes the sun to shine and
. the rain to fall in order for plants to grow?
MARCUS (changes subject) And what do you plan to grow?
LILY Vegetables and grain, some to eat,
. and the rest to sell or use in trade.
MARCUS And Adriana and I will get some of that money?
LILY As soon as you pay off your debt.
. And just as you paid me, most of that
. goes toward room and board.
. (noticing MARCUS’ balk at this)
. You will find me to be a reasonable employer.
. Now we must get on with it before the sun sets.
MARCUS (mumbling) What is the rush?
(ADRIANA enters, struggling to carry both pot and
pitcher. LILY pulls out one rag and gives a quick demo.)
LILY Ah, good, come here. Use this rag.
. Get it damp, wring it out, wipe everything
. down. Top to bottom, cleanest to dirtiest.
. When the water gets murky, get some more.
(LILY and MARCUS exit, and ADRIANA begins her chore
tentatively. Dipping rag into the water, she pulls it
toward herself and drips onto her dress. Quickly putting
the rag over the pot, she finally thinks to wring it out.
Holding the rag out, she looks around – totally lost –
then finally turns to the table. LIGHTS FADE.)
SCENE CHANGE EXCERPT 3: Mozart’s Minuet in F Major
(LIGHTS COME UP. ADRIANA sits on the floor, trying to
scrub while reaching around her dress. MARCUS enters with
wood, exits, then returns with straw to place on cot.)
ADRIANA What is THAT?
MARCUS THIS, dear sister, is our bedding. Apparently
. I shall sleep right here, whilst you and Lily
. take the inner room.
ADRIANA Is there not any feather down?
MARCUS I think I’m so tired I could sleep - well –
. even on a bed of rocks.
ADRIANA Well, I do not want ANY of – THAT – (points)
MARCUS Straw? This was left in the hayloft.
. Lily says it is FRESH straw – whatever
. that means. Are you sure - even for a pillow?
ADRIANA We have no pillows?!
(MARCUS puffs up the straw at the head of the cot.
Finding an extra rag, he lays it on top of the pile.)
MARCUS ‘Tis what Lily explained to do for a pillow.
(MARCUS collapses in the chair. ADRIANA crawls to stool.)
ADRIANA Are we done for the day?
MARCUS Apparently, to begin, Lily is going EASY on us.
ADRIANA Whatever will “DIFFICULT” look like?
MARCUS I know not, but I fear that by tomorrow,
. my hands will be incapacitated. Look –
. look at this. What are these?
. There’s excruciating pain involved.
ADRIANA Marcus, have you for once in your life thought
. things through? MUST we be doing THIS?
MARCUS I can think of nothing else, Adriana.
ADRIANA But we have been reduced to the status of –
. servants! Slaves!
MARCUS Better than beggars on the street.
ADRIANA At least there, we’d have no one to answer to.
MARCUS Except the law and criminals. Adriana, I know
. nothing of how to survive in this harsh world.
. Neither of us have any skills to speak of.
. And I doubt I’d even make a talented criminal.
ADRIANA Surely there’s someone who would take us in.
MARCUS As penniless paupers? Would WE have cared
. for such? No, we would have denied their
. very existence. And THUS, we have been
. shut out from all society. You know how crying
. puffs your eyes. So you see, there’s no point
. in crying- for this is what it is, or spend
. your life crying, for this is what it is.
ADRIANA (drying her tears) Is this your quip
. for the moment, dear brother?
MARCUS I am unequipped and uninspired to have
. any quips. At the moment, I can barely think.
. And when I do, it is consumed with madness over
. what I would say – and do - to Henry Madison.
ADRIANA I HATE Henry Madison. You should never have
. given him signing rights. I practically hate
. YOU for giving Henry the signing rights.
MARCUS As well, I hate myself.
LILY (enters with basket of carrots & bucket)
. I purchased seed at a wonderful price, as well
. as a wheelbarrow to haul the seeds to our barn.
. Meanwhile, I milked the cow! So drink right up.
. (sets basket down & takes sip from the bucket)
. Come on. Not only will it go bad overnight, but
. there will always be fresh milk twice a day.
(Wincing, ADRIANA tries taking a careful sip of milk.)
MARCUS (hopefully) I chopped wood for potatoes.
LILY Alas, they were sold out. I did find some
. carrots though. These we can eat uncooked.
MARCUS I chopped wood all for nothing?
LILY (cheerfully) ‘Tis never for nothing.
. Fear not, we will always need chopped wood.
. (studying lantern) There’s not much oil,
. so let us try not to use the lamp. We will eat
. and retire. Tomorrow begins bright and early.
. (busies now herself at the side table)
ADRIANA Just look, we are in hell
. and she is in heaven.
MARCUS (under his breath)
. Henry Madison must pay!
(LIGHTS DIM. ADRIANA & LILY exit. MARCUS lays down.)
. CENTER STAGE - CITY SQUARE 26
SONG 3: “Another Day”
(POOR wander stage in crisscross patterns while singing.
Stage can be dimly lit as they are holding lanterns.)
POOR (sing verse 1)
. Day has ended, now comes the night
. We plod home to rest our bodies
. hoping sleep will soothe our plight
. nothing ever comes with great ease
. but at home it’s our domain
. what we do there is to our gain.
. (sing verse 2, and perhaps
. do something different with choreography)
. Day begins, again we go
. empty heart and empty stomach
. working hard with nothing to show
. ev’ry bit needed, we dare not get sick
. Anything that we can earn
. is a blessing, this we yearn.
(POOR shuffle off the stage.)
. STAGE RIGHT - LILY’S HOUSE
(LIGHTS GO UP SLIGHTLY – it’s daybreak. LILY enters
from inner room and kicks the cot where MARCUS sleeps.)
LILY Rise and shine.
MARCUS Noooo! Sleep.
LILY Our schedule is at the mercy of the cow.
. Milk builds up, bringing discomfort to it.
MARCUS What of my comfort?
LILY Milk in your stomach! For which you need to
. work. “A slacker is a brother to destruction.”
MARCUS This is your quip for the moment?
LILY That comes straight from the Bible-
MARCUS -In that case, I care not to hear it. 27
(Being very stiff, MARCUS tries to sit, but winces with
every tiny movement. Waiting, LILY purses her lips.)
LILY I’m thinking, we could strike up a deal with
. our neighbors. Some milk in exchange for eggs.
LILY We have a cow, they have chickens. Come-come.
MARCUS I am making every effort, woman.
. (hobbling along, LILY motions for him to get
. the bucket, even this gives excruciating pain)
. What is wrong with my body? I hurt. So much.
. I cannot move. I – I am completely - broken.
LILY Keep moving and you shall loosen up.
MARCUS Have you no compassion?
LILY Make note, I have plenty of compassion –
. as well as patience.
(LILY’S stare gets MARCUS moving. LILY leads MARCUS out.)
SCENE CHANGE EXCERPT 4: Mozart’s Minuet in F Major
(ADRIANA hobbles in, stiff and shivering. Curious, she
uses a plate to see her reflection, without success. She
sits down wearily, and tries to “feel” how her hair must
look. LILY and MARCUS return with the bucket of milk.)
LILY You were cold last night? I wish you told me.
. I have one blanket but my winter cape would do.
. And as the Lord provides, we will buy another.
. Now, after Adriana cleans up here,
. she will come help us. We need to sow and weed.
ADRIANA I thought I only was required for indoor work.
LILY When there is indoor work. When there isn’t,
. you will help outside. That will warm you up.
ADRIANA This requires mucking about in the dirt?!
MARCUS Can you not wait until our bodies heal? 28
. Look at the state of my hands. (showing hands)
LILY Ah, blisters. Fear not, see? (showing hers)
. Very soon they become callused, like mine. Then
. you will finally have the hands of a real man.
(ADRIANA cringes at the thought. While the others talk,
ADRIANA drinks the milk then returns cup to side table.)
MARCUS Not in my book. A gentleman never lifts
. a finger, because he has means.
LILY And what means have you now?
MARCUS I still have my pride!
LILY “And pride - goeth before the fall.” And,
. “Oh how the mighty have fallen!”
MARCUS Let me guess, quips from the Bible? Spare me.
(LIGHTS DIM. MARCUS takes bucket and follows LILY out.
ADRIANA exits to inner room.)
SCENE CHANGE EXCERPT 5: Mozart’s Contradance in G Major
(LIGHTS GO UP. MARCUS enters carrying bucket. LILY and
ADRIANA come from the inner room. Today ADRIANA wears
the old dress. LILY carries her Bible and sets it on the
table. LILY notices ADRIANA patting her hair in place.)
LILY Does my hair look all right?
(ADRIANA obligingly pats LILY’S hair in place.)
MARCUS For weeding the fields?
ADRIANA Are you going to market?
LILY It is the Sabbath, darlings. Except for milking
. the cow, fixing meals and cleaning up after,
. there is no work. For once in my adult life,
. I am able to attend church service.
MARCUS Why only now?
LILY My LAST employer - had us work nonstop. 29
(MARCUS looks sheepish then irritated. LILY unlocks
her trunk to take out her bonnet. ADRIANA catches sight
of something in the trunk, then becomes nonchalant when
LILY stands up, forgetting to lock it again.)
LILY You are welcome to accompany me.
MARCUS No! I would like to ENJOY my time off.
. (seeing the Bible then looking around)
. Have you anything to read?
LILY I... could leave you my Bible.
MARCUS Have you nothing else?
LILY I am most fortunate to have this. My father
. was a minister and was honored to receive this
. as a gift from a wealthy parishioner...
. Would you like me to leave it behind?
MARCUS (thinks, rolls his eyes, then sighs)
. I would not object. It would be - at least –
. something to peruse.
LILY As you love your quips so much, I’d recommend
. the book of Proverbs. I will see you later.
. (places bonnet on her head and leaves)
ADRIANA (laughing) You miss reading that much?
MARCUS (shrugs then leans back in chair) Oh,
. what to do with this glorious, precious time?
ADRIANA How little there is!
MARCUS (sits up, perplexed) You are so right. Thus,
. one would want to make the best use of it.
. Yet, without money, what does one do?
ADRIANA I would love to attend a party.
MARCUS Eat and drink at the finest of restaurants.
ADRIANA Ohhh, or take in a play, or the orchestra.
MARCUS (scheming) We could go on a scavenger 30
. hunt - in search of Henry Madison.
ADRIANA Please take your mind off that monster.
. As you dwell on him, YOU become a monster.
MARCUS I will not have peace of mind until I see him
. face to face, and -
ADRIANA And do what? Anyway, you ask every soul
. you meet. When they do answer, they have
. no idea where he is. He has moved, so –
. onward YOU must move.
MARCUS For now... We could stroll through the lawns –
ADRIANA We cannot! I’m a mess! What would people say?
MARCUS Put on your nice dress?
ADRIANA I do not have a wig, nor the energy to change.
MARCUS I am surprised that I DO have some energy.
. Lily was right though, my body has healed.
ADRIANA Do you realize it has been one entire week?
. And tis only the beginning of a horrible
. ending. I should have married Theodore.
MARCUS Yes! And why did you not marry Theodore?
. We would be fine right now if you had.
ADRIANA He is such a bore. That is why.
. And why did you squander our fortune away?
MARCUS I did not WANT to be a bore. And now, I have
. become one anyway. Is this poetic justice?
ADRIANA Have you any quip to lighten the mood?
MARCUS (mocking) Oh! Let us read from the good book,
. shall we? There must be something in here to
. “enlighten” the mood. (Bible opens at Matt.5:3)
. (reads loudly) “Blessed are the poor!”
. (snidely) Perhaps I did us a favor.
ADRIANA Superior nonsense.
MARCUS (reads more seriously) “Blessed are the poor
. for they shall inherit the earth.”
ADRIANA Really? And when will that be? I cannot wait!
MARCUS (looks for Proverbs 1 and reads with flippancy)
. The recommended reading – from – Proverbs.
. (clears throat) “To know wisdom and
. instruction” Ahhhh... “A wise man will hear
. and increase in learning. And a man of
. understanding will acquire WISE counsel” –
. (looks up) This would exclude such men as –
. Henry Madison.
ADRIANA (dryly) That’s just common sense.
(ADRIANA shrugs, then picks at her nails. She uses the
tabletop to file at them, while MARCUS scans the Bible.
Bored, ADRIANA glances at the trunk. Finally, she goes
to open it and rummage through the items.)
MARCUS What are you doing?
ADRIANA I’m just looking. She forgot to lock the trunk.
(Finding a purse, ADRIANA shakes it to hear jingling.
MARCUS glances curiously. Suddenly ADRIANA rushes for
the door. MARCUS jumps up, and blocks her path.)
MARCUS And where do you think you’re going?
(MARCUS fights the purse from ADRIANA’S hands, then
sits down to look inside. While ADRIANA paces, MARCUS
suddenly bolts for the door. ADRIANA blocks his path.)
ADRIANA You would leave me in the lurch? Again?
MARCUS There isn’t enough money here for the both
. of us. (sighing, he sits to count the money)
ADRIANA We could maybe get as far as Paris.
MARCUS (thinks) Perhaps if you also sold your dress.
ADRIANA (gasps) That dress is my only hope. Besides,
. once we got to Paris – what would I wear?
(ADRIANA motions to her simple frock.)
ADRIANA This? They would not accept me through the
. servant’s door - let alone the front doors.
MARCUS Very true. Even if we could get there,
. what then? We would be in a worse situation.
. Humiliation AND ridicule! And maybe even
. the gallows. You know how the French love
. to behold a good beheading.
ADRIANA (clutches her neck, then gets idea) At least
. we could take some money and see a show.
MARCUS I am quite sure Lily has counted every penny.
. And I do not want our next shelter to be
. prison. (hands ADRIANA the purse) Put it back.
ADRIANA (returns purse to trunk, her eyes widen)
. Our chocolates! She STOLE our chocolates.
. Some fine Christian she is!
(Hearing LILY at the door, MARCUS quickly takes the box
and tosses them back into the trunk and slams it shut.
ADRIANA plunks into a chair with her arms crossed.)
MARCUS (hisses) I will use this against her somehow.
. (searches the Bible with a scheming attitude)
ADIANNA (hissing back) Even I know there is something
. in there that says, “Thou shalt not steal.”
(LILY enters and removes her bonnet tentatively.)
MARCUS (reads) “How blessed is the man who finds
. wisdom and gains understanding. For its profit
. is better than... silver, or fine gold –
. more precious than fine jewels!”
ADRIANA As if! As if there is anything finer!
LILY (tentatively) You are enjoying the book?
(As MARCUS talks and reads, LILY puts her bonnet back
into the trunk and realizes she had not locked it.)
MARCUS If nothing else, it is amusing. 33
ADRIANA (watching LILY pick up purse and look inside)
. Fear not, we took nothing from YOU.
(Putting the purse down, LILY sees the box of chocolates.
She closes the lid and stands there fidgeting with her
hands. MARCUS feigns continued interest in the Bible.)
MARCUS Oh listen, (reads) “Long life is in her right
. hand; in her left hand are riches and honor–“
. Wait! So wisdom is better than riches,
. “but with wisdom comes riches and honor?”...
. Am I not wise?
ADRIANA (thinking, while LILY bites her lip, wondering)
. You are not wise, but you ARE very clever.
. Clever with your wit and words.
. But not as clever as Henry Madison
. at manipulating people and finances.
. Hm, cleverly taking something that isn’t
. theirs. What does it say about that?
(ADRIANA aims this toward LILY who quickly and silently
gets lunch ready, while MARCUS reads silently.
ADRIANA smirks and addresses LILY directly.)
ADRIANA Was it a lovely service, Lily? What was the
. sermon on? Stealing, or anything such as that?”
LILY (turning abruptly) I must confess something.
. I am very sorry, I took your chocolates...
. (goes to the trunk to get the chocolates)
. At the moment we were to leave your house,
. I tried to justify myself, that you owed me
. a month’s wages. I thought I might enjoy
. eating them at some point, but instead,
. the guilt has been eating away at me.
. (hands the chocolates to Marcus) I – stole
. these from you. I hope you might forgive me?
(MARCUS places the chocolates on the table and stares at
them. LILY goes back to fixing lunch but begins to cry.)
MARCUS (finally) You really feel bad about this.
ADRIANA And so she SHOULD!
MARCUS Adriana! They are only chocolates!
ADRIANA They are all that we have left!
LILY It matters NOT how much or how little,
. stealing is stealing.
ADRIANA Ach, we forgive you-we forgive you!
. Just let me have some. I am famished.
(ADRIANA reaches for the chocolates, but MARCUS holds
them out of her reach. ADRIANA whacks his shoulder.)
MARCUS We will all share.
LILY No-no-please, I feel bad enough.
MARCUS (muses over this then a bit compassion sets in)
. Still, you have been very generous with us.
. (ADRIANA gasps as MARCUS peeks inside the box
. to count and ignore LILY’s protests)
. There arrrreee-
ADRIANA (boldly confessing) There are fourteen missing
. because I had some whilst on the ship, and
. thirteen whilst on the carriage ride home
. from the docks-
MARCUS Thus - 21 chocolates. Seven for each.
LILY You do not have to do this –
MARCUS I want to do this. Seven are yours.
LILY Then, I will just have one for now.
. I will have one every Sunday until gone.
ADRIANA (takes a chocolate and speaks with mouthful)
. You are NEVER one to overindulge?
LILY (humbly) I know not to worry about tomorrow
. because the Lord will provide. But the Lord
. expects us to be wise, work for our own keep,
. helping and sharing with others, yes! But we
. are also told to be good stewards of what
. we have been given.
MARCUS So where is the balance then?
LILY THAT – is the question. “For the love of money
. is the root of all sorts of evil.”
ADRIANA The Bible says that money is evil?
LILY No dear, the LOVE of money. See the difference?
ADRIANA Then why NOT buy some luxuries with what you
. have? Like silver which never loses its value.
LILY Right now, I need other things more. And we
. do not know how the crops will do. We may need
. that money for food just to survive until next
. year’s crop, or the next. Things happen.
ADRIANA (practically) Then you sell the silver.
LILY Only if there are buyers. But why are you so
. set on silver? Silver tarnishes, so you must
. spend a lot of time polishing it.
ADRIANA Carpet on the floors then – for warmth.
LILY You think cleaning THESE floors are difficult.
ADRIANA At least a chamber pot! I dread the outhouse.
LILY Be thankful this property came with one, and
. that we need not share a community outhouse.
ADRIANA But a chamber pot in the comfort of your room!
LILY And who will empty and clean it?
ADRIANA (balks at thought) The outhouse is just fine.
LILY Everything in life needs cleaning,
. even our souls.
MARCUS (changes subject) So why are you not married
. and have children?
LILY What sort of wife and mother would I have made
. while having to work constantly?
ADRIANA You mean, like we are now?
LILY I worked longer hours under your employ.
MARCUS You drive us very hard.
LILY I have treated you like children.
ADRIANA You would make your own children work
. like this?
LILY I would be a terrible parent if I did not
. train up a child to know how to survive.
MARCUS And you would have been a terrible Christian
. had you not taken us in?
ADRIANA Is that so? And how was today’s service?
LILY Oh, it was lovely. The minister gave a timely
. message. And the choir was magnificent.
ADRIANA (perks up a little) There is music?
LILY Wonderful music. Oddly enough, this is the
. church that Mistress Elizabeth Walters attends.
MARCUS Miss Elizabeth Walters?! (now warily) Tho’
. you must’ve been segregated from the wealthy.
LILY Surprisingly not. This church refuses
. to conform to society’s interpretations,
. but boldly teaches God’s truth.
ADRIANA Is that not what churches do?
LILY Well, there is a dangerous trend - since common
. folk cannot read or afford to own a Bible -
. governments will use the church, and twist the
. scriptures, in efforts to control the people.
ADRIANA Such a strange power that small book has.
SCENE CHANGE EXCERPT 6: “The Marriage of Figaro” Aria
(LIGHTS COME UP. MARCUS, LILY and ADRIANA enter from
outside. LILY motions ADRIANA to the pot of water.)
LILY Here, wash up.
ADRIANA The day is not done yet.
LILY I will finish the weeding. I need you both
. to go to the market for a few things.
. (goes into trunk to get her purse,
. then drops some coins into MARCUS’ hand)
. This is to buy more flour.
ADRIANA For me to make more bread?
LILY And this - is your week’s payment.
. As of last week, your debt was paid off.
(LILY gives MARCUS and ADRIANA each a coin. ADRIANA
clutches her coin while MARCUS looks at his with awe.)
MARCUS How will we spend this?
LILY It is your money. But, if you do not mind
. some advice, you do not HAVE to spend it – yet.
. (exits “outside” to finish the weeding)
MARCUS True. Or – at least not all of it.
ADRIANA I will don my dress. (rushes to inner room)
MARCUS (studies coin) The beginning of my empire!
. I will find the means to seek retribution from
. Henry Madison and reclaim my family’s fortune.
. ACT 3
. CENTER STAGE - CITY SQUARE
SONG 4: “We Struggle On”
(POOR come out to sing.)
POOR (singing verse) 38
. Struggles, oppressions try to keep us down
. But times of resilience can sometimes be found
. here and there are bits of joy and happiness
. some events do happen which will bring us bliss
. (singing chorus)
. These are the moments, why we struggle on,
. Little things bring pleasure,
. when they’re humbly won.
. (singing verse)
. Testing and trials attempt to consume
. keeping close together scatters fear and gloom
. giving in to sorrow, we will feel its sting
. let us search with gladness,
. songs of triumph sing
. (singing chorus)
. These are the moments, why we struggle on,
. Little things bring pleasure,
. when they’re humbly won.
(POOR go about their work, while some exit. MARCUS
escorts ADRIANA who is now wearing her nice dress.)
MARCUS Glorious, precious money! Money which I’ll use
. to bring about the downfall of Henry Madison.
ADRIANA You will require a strong arm and excellent aim
. in order to hit him between the eyes with it.
MARCUS I’ll think of something better than that.
. (admires coin again) Who would have thought
. I would be so grateful over one small coin?
ADRIANA ‘Tis ridiculous. Now, do not walk so close.
. I do not want people to think I am taken.
MARCUS (steps away, wondering) And what will
. people assume when they see you unchaperoned?
ADRIANA Shush, now. I could still find a gentleman.
. Perhaps not with GREAT means, but someone
. who could provide at least a proper house,
. with a servant or two.
(ADRIANA nods at passing GENTLEMAN, who nods back.)
GENTLEMAN (stops) Have we ever met before?
(GENTLEMAN’S breath is bad, and ADRIANA pulls away with
with a frown and wave of her hand, using it like a fan.)
ADRIANA No - sir. I thought I recognized you, but I
. was quite mistaken. Good day. (turns, wincing)
MARCUS (to GENTLEMAN) But would you happen to know
. where Mr. Henry Madison is residing these days?
(GENTLEMAN balks and quickly walks away.)
MARCUS Why so picky? You may have turned down
. the very last eligible and willing gentleman.
ADRIANA (still gags and waves hand in front of face)
. He had the most atrocious breath!
. What I wouldn’t give for a fan!
MARCUS Fan or not, is this the way a lady behaves?!
ADRIANA I AM a lady, and this IS the way I am behaving.
(ADRIANA swings away from MARCUS and nods her head at
another passing HUSBAND 1, who looks at her with a nod.
WIFE 1 catches up to him and whacks him on the head
with her fan. WIFE 1 then glares back at ADRIANA.)
WIFE 1 Tart! Stay away from my husband,
. you vulgar - tart!
(Wounded, ADRIANA gasps. Meanwhile MARCUS looks around
the square eagerly and sees HELEN with basket of tarts.)
MARCUS Hm, I am hungry for a tart.
(WIFE 2 pulls HUSBAND 2 to the other side of the street
while giving ADRIANA a scowl. Beggar-boy BRICE lurks.)
ADRIANA I beg your pardon. I am a LADY!
BRICE (steps up boldly and puts out his hand)
. So lady, do you have some spare coins?
ADRIANA Get away from me.
BRICE But lady –
ADRIANA Look, I really do not have anything –
(ARISTOCRAT LADY 1 & 2 walk by, giggling and gossiping.
ADRIANA fights her tears and scowls at BRICE.)
ADRIANA Get away from me. You are making me look bad!
(BRICE walks away, hurt, making ADRIANA feel even worse.
HELEN walks by carrying a tray of tarts.)
HELEN You desire a tart? Best tarts in town.
MARCUS I assume you’re referring to these pastries?
HELEN Oh, aren’t we smarmy.
ADRIANA (dryly dabbing tears away) Smarmy would be he.
HELEN So you ARE referring to my pastries?
MARCUS Yes. And I’m not sure I can even afford THAT.
(BRICE pushes the littlest, TINA, forward, followed
by more BEGGAR KIDS.)
TINA Buy me one, mister? Lady?
MARCUS Your parents should be the ones feeding you.
BRICE We ain’t got parents.
(ADRIANA saddens and MARCUS begins a grammar lesson.)
MARCUS You do not HAVE any parents. Now, repeat.
MARCUS I do not - have - any parents.
BRICE I – do not - have any parents.
ADRIANA Well, shouldn’t you be at the orphanage then?
BRICE They ain’t got - They do-not-ain’t-have room.
MARCUS They do not - have - any room?
TINA And they’re very mean. And they make us work
. all day in the factories.
HELEN (impatiently) So did you want any?
MARCUS Sorry, they cost too much.
(ELIZABETH enters with SERVANT 1 trailing behind her
and overhears the last bit. Marcus turns and almost
runs right into her, which increases the embarrassment.)
MARCUS (turning) Oh, ah... good afternoon,
. (sheepishly) Miss Elizabeth Walters.
ELIZ It has been a while. You never did come by
. to speak with my father.
MARCUS I am certain that would have been pointless.
. (quickly) What brings you to these parts?
ELIZ This lady’s tarts. They ARE the best in town.
. Our own cook cannot make tarts nearly as good.
. (to HELEN) I’d like all that you have, please
. (to ADRIANA) I’m holding a tea this afternoon.
(ADRIANA feigns interest then rolls her eyes as ELIZABETH
turns to pay and direct SERVANT 1 as to how to put the
tarts into their basket. ELIZABETH holds a tart aside
and feigns a dilemma, then shoos SERVANT 1 to the side.)
ELIZ Oh dear, we cannot fit them all into our
. basket. (holds the tart out to MARCUS)
. Would you be a dear and relieve me of this?
. There, I pray that you are doing – fine.
MARCUS (accepting it with a bow) Splendid, thank you.
ELIZ I am glad. After the humiliation you both
. suffered, I was quite worried.
ADRIANA Were you now? Well, as Marcus said,
. we are splendid. There is no humiliation here.
ELIZ There is no shame in humiliation.
. In fact, in reaching the final humiliation,
. there is great victory.
ADRIANA Did you hear that, Marcus? We are nearly there.
MARCUS We have been humbled indeed.
ELIZ Being humbled before men is one thing,
. but have you humbled yourself before God?
MARCUS Why would I bother with that?
ELIZ Victory. Becoming a child of God and receiving
. eternal life. Treasures in heaven – and love.
MARCUS (shows boredom until the last word) Your love?
ELIZ I try to love ALL people. But I will never love
. to the extent that God loves all people.
MARCUS Then, I thank thee, for thy humble pie.
(MARCUS toasts the air with the tart. ELIZABETH ekes out
a smile and nods politely as she and the servant exit.
As soon as they are gone, ADRIANA gags her disgust
at ELIZABETH’S airs. MARCUS eyes the tart eagerly.)
MARCUS Thank you, Lord!
ADRIANA You pray?
MARCUS Habit now, I suppose.
ADRIANA Well, give me a piece.
(MARCUS and ADRIANA taste a piece and look at each other,
wincing. ADRIANA now gags in disgust.)
MARCUS Not nearly as good as Lily’s.
ADRIANA (swooning) Oh, yes, remember the magic
. she would create in our very own kitchen?
(ADRIANA sees BEGGAR KIDS and reaches for the tart.
MARCUS grabs a piece to wrap up in a handkerchief.)
MARCUS I would like to bring a piece back to Lily.
(ADRIANA gawks curiously, then turns to BEGGAR KIDS.)
ADRIANA A tart for you all to share.
(The BEGGAR KIDS pounce on the remainder anxiously with
squeals and whines. ADRIANA jumps out of the way.)
ADRIANA (to MARCUS, deeply effected) Goodness!
MARCUS (thinking, then to ADRIANA) I have an idea.
(MARCUS sees TINSMITH with a leather apron walk past
and calls to him.)
MARCUS Excuse me, sir, you are a tinsmith? I’d like
. to speak to you about a possible transaction.
. (as TINSMITH nods, MARCUS turns to ADRIANA)
. Find out what goes into making tarts. Then see
. how much the basic ingredients cost. Go on.
(As MARCUS exits with TINSMITH to back of stage right
ADRIANA walks up to HELEN, the tart lady.)
ADRIANA Excuse me. What all goes into making those?
HELEN Now why in the world do you wanna know?
ADRIANA I have no idea.
SCENE CHANGE EXCERPT 7: “The Marriage of Figaro” Aria
. STAGE RIGHT - LILY’S HOUSE
(As LILY enters with milk, MARCUS and ADRIANA burst in.)
LILY I was wondering where you –
MARCUS (setting down sack of flour) I have an idea!
LILY Have you now? Should I be worried?
(ADRIANA shrugs. MARCUS snaps his fingers, and ADRIANA
quickly hands him a quill, paper, and an ink well.
He holds it up for LILY to see. Then he pulls out
his handkerchief and unwraps the tiny piece of tart.)
LILY Interesting purchases. I half expected 44
. you to buy wine or–
MARCUS -Tempting as that was – here –
. I saved this for you. Try it.
LILY (nibbling the piece) Thank you - very much?
MARCUS Forget the niceties. It’s dreadful. Well,
. not dreadful, but - nothing like YOUR pastries.
LILY Oh, why... thank you indeed.
MARCUS Lily, you could make some – to sell.
LILY (laughing) Marcus, we are ill equipped.
. I do not have enough bowls, and baking pans,
. not to mention the proper ingredients.
MARCUS I have calculated the costs. And this is
. what a competitor is charging – per tart.
LILY And you still need people who will buy –
MARCUS Miss Elizabeth walked the entire way to the
. market – just to buy those tarts for a tea
. party – lauding them “the best tarts in town”.
LILY It is a LOT of work. Without much guarantee
. of sales – and there is overhead -
MARCUS I suspect it would be a safer gamble than the
. sale of our produce. In fact, we could grow
. most of the ingredients required. The cow
. could be moved to the shed, freeing up the barn
. where we would build a large brick oven and
. work space. Lily – it is a unique gift
. which you have... from God!
LILY Again, it is a lot of work.
ADRIANA (meekly, dryly) You taught me to make bread.
. This is a task to which
. (rolls her eyes) –I am not so opposed.
MARUS This in fact means – she rather enjoys it.
ADRIANA (glaring at MARCUS before continuing) 45
. And - (swallowing hard) I am willing
. to sell my dress - to help finance.
(MARCUS throws a startled expression ADRIANA’S way.)
LILY I will want to think on this some. And pray -
. I will want to pray a lot on this.
MARCUS And I am going to show that Henry Madison –
LILY (worried) I hope this is not your motivation.
MARCUS (trying to correct his response) Of course -
. I do want to make something of myself!
. As – an honorable servant – of God.
(ADRIANA guffaws at this. LILY remains dubious.)
LILY Still, I will pray about this matter.
MARCUS (flippantly) YES! Let us PRAY on this!
SCENE CHANGE EXCERPT 8: Mozart’s Minuet & Trio in C Major
. CENTER STAGE - RESIDENTIAL STREET
(MARCUS enters from back stage right,
carrying a basket of tarts to ELIZABETH’S house.
SERVANT 2 notices him.)
SERV.2 May I ask your business?
MARCUS I am here to visit Mistress Elizabeth - Walters.
. I just pray that she is-
SERV.2 All deliveries to the back, please.
MARCUS Oh, of course. Pardon me.
(MARCUS humbly bows, then wilts a little as he exits
to back stage left)
SCENE CHANGE EXCERPT 9: Mozart’s Minuet & Trio in G Major
. CENTER STAGE - WALTERS’ EXTRAVAGANT HOUSE 46
(SERVANTS 1, 3 bring on tiny table and two chairs.
SERVANT 2 walks from stage right over to stage left,
calling into the wings.)
SERV.2 Mistress Walters, there is a delivery man,
. by the name of Marcus Stealthbury here to
. see you. Should I send him away?
ELIZ (entering) He is delivering something?
SERV.2 Tarts, ma’am. He refuses to deal with the cook.
ELIZ Tarts? Oh, well, ah, yes, by all means,
. please send him in.
(MARCUS enters with his basket and bows humbly.
MRS. WALTERS enters and recognizes MARCUS.)
MRS. W What is HE doing here?
ELIZ He delivers tarts. (still confused)
. To spare me - a trip?
MRS. W Deliveries to the back. Cook will see to it.
MARCUS (bowing again) I humbly ask that you please,
. try these. The WORLD’S best tarts.
ELIZ The WORLD’S best tarts?
MARCUS As you know, my past lifestyle afforded me
. the very best that money could possibly buy.
MRS. W You mean, you THOUGHT you could afford –
ELIZ Mother, please.
MARCUS She is correct. I have learned a valuable
. lesson through extreme measures. I am now
. building up a small business – and I would
. be most honored if you would sample these
. pastries, the product of our very own hands,
. under the expert guidance of a world-class
. chef, and tell me if they would be
. of any interest to you in the future.
(ELIZABETH motions to the table. MARCUS sets the basket
down, then steps away to wait with nervous anticipation.
Each taking a bite, MRS. WALTERS balks and quickly takes
another bite. ELIZABETH looks up at MARCUS and smiles.)
ELIZ Why! These are marvelous. I must say, as far
. as I know, these ARE the best in the world.
MRS. W How much are you asking?
MARCUS I will match the price you pay at the market.
ELIZ I would pay much more –
MRS. W Elizabeth!
MARCUS I appreciate that. But for you, I will
. match the price, especially if you tell
. all your friends-
ELIZ That I will.
MARCUS For an extra fee, I could have these delivered.
MRS. W (grunts) Well, we will see how dependable you
. are now, Mr. Stealthbury. Perhaps you’ll live
. up to your father’s name yet.
(MARCUS takes the shaky compliment graciously
as MRS. WALTERS continues to eat at the tart.)
ELIZ What shall we say then, a dozen tarts –
. every Wednesday?
MRS. W Hm, well, I would not be opposed to Saturdays
. as well.
MARCUS By all means, give the cook some leisure time.
MRS. W I beg your pardon?
MARCUS Ah, we can make some stuffed with meats.
. Those would be double the price, of course.
. But certainly hearty enough to be a meal.
(Entering, MR. WALTERS stops short after seeing MARCUS.)
MR. W What is this?
ELIZ (quick to defend) Father, Mr. Stealthbury
. has begun his own enterprise. They are making
. these tarts and selling them in bulk to
. homesteads. You must try one.
MR. W (tries a tart, his skepticism turns to delight)
. And you have placed an order?
(MRS. WALTERS nods, and MR. WALTERS takes another tart.
ELIZABETH notices MARCUS’S concern.)
ELIZ Not to worry, we shall pay for these.
MARCUS I wish to peddle my wares to the neighbors.
. Is there anyone living at my old house yet?
(ELIZABETH and MRS. WALTERS become very sullen.)
ELIZ You do not know?
MRS. W Henry Madison. Henry Madison has
. moved into your house.
(MARCUS stands there quietly stewing.)
ELIZ You will not go there? Do not go there.
MARCUS The man destroyed my life.
MR. W Young man, you have moved on wisely.
. To go there would not be wise.
MARCUS I need to say my peace to the man.
MR. W I sense that whatever came from your mouth
. would be anything BUT peace. Would you
. destroy your life further?
MARCUS The man betrayed me –
MR. W -I have no doubt. I held little respect
. for you in the past, but I respect this man –
. even less. And I am certain, if you tried to
. pay him a visit now, he’d have you arrested.
(MR WALTERS observes how MARCUS now fidgets while doing some deep,
MR. W Mr. Stealthbury, unbeknownst to you, you have
. managed to build up your reputation in
. this town. I pray you continue on this path.
ELIZ Please be content, Mr. Stealthbury.
. I know my friends up the street will be
. more than eager to place orders with you.
(MARCUS remains standing rigid as he thinks. LIGHTS DIM.)
. ACT 4
. CENTER STAGE - CITY SQUARE
SONG 5: “You Have Choices”
(POOR step out from stage right, GENTRY from
upper center, ARISTOCRATS from stage left.)
ALL (sing vs.1) You have choices that you make
. which affect your heart and soul
. seek out wisdom for your sake
. evil actions take their toll
. There’s temptation all around
. no matter your lot in life
. when you succumb, it is found
. that it always brings you strife
. (sing vs.2) There’s not a place you can hide
. it will not leave you alone.
. If allowed, with you abide,
. forever till you atone.
. Reputation can we trust?
. while your flound’ring soul is blind
. God’s forgiveness is a must
. This is something you must find.
. STAGE RIGHT - LILY’S HOUSE
(LIGHTS GO UP. LILY reads the Bible, ADRIANA paces.)
ADRIANA Where is he? What could be taking him
. so long? It is morning light already.
LILY Pray instead of fret.
ADRIANA My prayers would be frets.
LILY At least your frets would be directed
. to the One who could calm your fretting.
ADRIANA Hogwash. Besides, I ENJOY my fretting-
(There is pounding at the door. LILY jumps to answer,
and 2 OFFICERS drag MARCUS in and set him down at
the table. MARCUS reels slightly from intoxication.)
LILY What has happened?
OFFICER1 Ma’am, we found your son causing a disturbance.
. Normally we’d have thrown him into a holding
. cell, but we know of your reputation ‘round
. here. Just see to it that this does not happen
. again, or it will be prison next time.
LILY Thank you, very much, officers.
. (LILY sees OFFICERS out)
ADRIANA (pounds table, MARCUS shrinks from the sound)
. Where have you been?!
MARCUS Out – walking - thinking.
LILY Drinking, more like it.
ADRIANA Did it not go well? I see that the tarts,
. as well as the tray itself, are gone.
MARCUS It went... sh-plendidly.
ADRIANA Then where is the money?
MARCUS Gone. All gone. Every tart - every cent.
ADRIANA So did I sell my dress needlessly?!
MARCUS I’m - such a dishappointment. But you cannot
. begin to understand - what I must endure.
. I wash betrayed... it was rubbed in my fash,
. as sh’alt into a wound. (ADRIANA storms out)
LILY (matter-of-factly) Do not think you are
. the only one to be betrayed? Consider
. what King David went through.
MARCUS (holding his head) No, at this moment,
. my head cannot withstand any sermon -
LILY King David - was betrayed by friends as well.
. Yet he did NOT seek revenge.
MARCUS I seek revenge!
LILY David asked God to uphold his integrity.
. But - will you allow Henry Madison
. to destroy you a second time?
MARCUS (stands to pace angrily) I will make my fortune
. and seek out a way to destroy Henry Madison.
LILY (quickly opens Bible to read Psalm 52:7)
. “Behold, the man who would not make God
. his refuge, but trusted in the abundance of
. his riches, and was strong in his evil desire-”
MARCUS (growling and pointing at the Bible)
. Ah! You think that has all the answers?!
LILY Aye! I know it. These are the words of truth.
MARCUS I will make my own truths! (stomps out)
. CENTER STAGE - CITY SQUARE
SCENE CHANGE EXCERPT 10:Mozart’s Minuet & Trio in G Major
(A group of gentry walk by. GENTRY 1 pushes
MARCUS I beg your pardon! No need to be rude.
(MARCUS faces GENTRY, who look down their noses rudely.
GUS, a poor townsman, sees and quickly nudges MARCUS.)
GUS (aside) Quickly, bow to the aristocrats.
(MARCUS speaks to GUS so the GENTRY can hear him.)
MARCUS These men are only gentry.
(GENTRY 1 steps forward trying to intimidate MARCUS.
GUS tugs on MARCUS’ arm to step back and bow.)
GENTRY 1 Just how rude will your offence become?
GUS (to MARCUS) Still, man, d’you want your life
. to become difficult?
MARCUS How much more difficult can it get?
GUS You have no idea?
GENTRY 1 Well... will an apology be made, or not?
MARCUS Why do you desire to be as rude as
. an aristocrat?
GENTRY 1 What do you know of anything?
MARCUS Once an aristocrat, and NOW I must kowtow
. to YOU?
GENTRY 1 (laughs and mocks) He was once an aristocrat?
GENTRY 2 Pray tell, which name did you go by?
MARCUS Lord Marcus Stealthbury.
(GUS watches nervously. GENTRY feel a twinge
of pity but still fight their smirks.)
GENTRY 2 I see. You are famous.
GENTRY 1 Infamous - actually.
MARCUS Yes-yes - I was a fool. Might I advise you
. to walk in wisdom and treat everyone as
. more important than yourself.
GENTRY 1 (bursts out laughing again)
. Of course, as it suits you, your – majesty?
MARCUS It suits us all, if all were to do that.
GENTRY 2 What a wonderful world that would be. 53
MARCUS (bitterly) A man can dream.
GENTRY 1 And you will extend this exact sentiment
. to - (to GENTRY 2) What was his name?
GENTRY 2 (knowingly) Henry Madison?
(MARCUS clenches his fists in anger.)
GENTRY 1 Oh! We’ve touched a sore spot, have we?
WOMAN (catches up to GENTRY 1 with her tiny basket)
. Look dear, such a deal I got for this trinket –
. (seeing MARCUS) Why speak you to a low life?
GENTRY 1 This man was once an aristocrat, darling.
WOMAN Oh really. (giggling) Do tell.
GENTRY 1 Might I emphasize, this is one reason
. not to buy too many trinkets, as you do,
. deal or not.
(GENTRY 1 motions to basket as GENTRY walk away.
MARCUS turns to GUS when he realizes that GUS has been
staring at him. Still angry, MARCUS tries to apologize.)
MARCUS (frustrated) I apologize on behalf
. of all the rude aristocrats and gentry.
. There is a sort of – ignorance there.
. I have learned a lot, since my lot in life
. has been altered.
GUS Aye. Alllll right then, mate. No worries.
MARCUS Mark my words, though, I shall RE-alter
. my life. I WILL rise above, once again!
GUS Sure-sure, to be true, mate. These things
. could happen. Cheers, then.
SCENE CHANGE EXCERPT 11:Mozart’s Minuet & Trio in C Major
. STAGE RIGHT - LILY’S HOUSE 54
(LILY and ADRIANA enter and collapse.)
ADRIANA My brother has become such a slave-driver!
LILY Who would have thought?
MARCUS (bounding in) The orders keep pouring in.
LILY We need to figure a way to be more efficient.
ADRIANA That, or live without sleep.
MARCUS Oh no, please, you know how cranky you become
. without enough sleep.
(ADRIANA sticks out tongue.)
LILY (reprimanding) Children!
ADRIANA (laughing) Children? She called us children.
MARCUS (laughing, then serious) ARE we your children?
ADRIANA (clings to LILY in a playful hug)
. Mom! Save me from my evil brother.
LILY Ah, there-there.
. (laughing, she sees that MARCUS is touched)
. Now, still, what is this obsession with making
. MORE money? We are doing well enough.
MARCUS Compared to what?
LILY There is more to life than money.
. “Better is a dry morsel and quietness with it –
. than a house full of feasting - with strife.”
ADRIANA Why would it be better to be poor and hungry?
LILY It is better to be at peace and be poor,
. than to have all the money in the world
. and be without peace.
MARCUS Well, I am poor, and I STILL have no peace.
LILY Peace does not come from poverty. 55
. No matter the circumstance, peace is found
. in the soul and comes from
. choosing to do God’s will.
MARCUS I certainly do not experience this peace.
(MARCUS begins to pace and think.)
LILY So you wage war within your soul to do
. your OWN will and bidding... What is it
. that you cannot give up? What have you left?
MARCUS My pride!
LILY Pride can give a very strong argument.
MARCUS So I am correct to hang on to the very last
. that I have?
LILY I did not say that... And... anything else?
MARCUS You would shudder to hear such words.
LILY Perhaps you would shudder to know that
. I do not shudder so easily.
MARCUS I would love nothing better than to seek
. the FULLEST of vengeance on Henry Madison.
. (determined nod) Hating him is not enough.
LILY By playing the victim, you become weak...
. YOU have been reading the Bible.
. What do you think God would have you do?
MARCUS Be kind to your enemy so it is like
. pouring hot coals on his head.
. Love your enemy. Pray for your enemy.
. But I am with King David –
. I pray for my enemy’s death. And
. as I am NOT a Christian believer,
. I am not required to adhere to any of the laws.
LILY Oh, at some point you will have to face
. the Lord, your Judge, and be held accountable
. for all your actions. Far better He be your
. Lord and Savior.
MARCUS He is only one or the other?
LILY Indeed. When you believe in Him,
. and repent, God will forgive all your sins.
. Then, He is no longer your Judge.
MARCUS That sounds too easy.
LILY Oh really? Your pride would disagree. This
. action requires complete humility... It means
. admitting your need for Jesus. Tomorrow is
. the Sabbath. Why not come to church with me?
. (As MARCUS remains quiet, LILY stands up)
. Well, the invitation remains.
. Now, as it is late, I shall retire.
(LILY exits to the inner room.)
ADRIANA (waits for LILY to be gone) You will not go,
. will you? You have found strength in yourself,
. why would you NEED God?
MARCUS Listen to this...
. (opens Bible to Psalm 62:9-12)
. “Men of low degree are only vanity –
. and men of RANK are a lie;
. in the balances they go up,
. they are TOGETHER lighter than breath.”
. See that? BOTH rich and poor are worthless.
. But – (reading again) “I have heard this:
. that POWER belongs to God; and lovingkindness
. is Thine, O Lord, for Thou dost RECOMPENSE
. a man according to his work.”
ADRIANA And we have worked – very hard.
MARCUS I believe it refers to something else.
. And I long for access to this –
. Godly power.
ADRIANA To manipulate to your advantage?
MARCUS (shrugging) If - that is possible.
. ACT 5 57
. CENTER STAGE - CITY SQUARE OR CHURCH
(“CHURCH CHOIR” sings powerfully from one side.
MARCUS and LILY stand to other side, listening intently.)
SONG 6: “O Sacred Head, Now Wounded”
. (1st phrase is altered)
PEOPLE (sing vs.1) “O hear how He was wounded,
. with grief and shame weighed down,
. now scornfully surrounded
. with thorns, Thine only crown
. How pale Thou art with anguish,
. With sore abuse and scorn,
. How does that visage languish,
. Which once was bright as morn.
. (sing vs.2) What Thou my Lord has suffered
. Was all for sinners’ gain
. Mine, mine was the transgression
. But Thine the deadly pain
. Lo, here I fall, my Savior
. ‘tis I deserve Thy place
. look on me with Thy favor
. assist me with Thy grace
. (sing vs.3) What language shall I borrow
. To thank Thee, dearest Friend,
. For this, Thy dying sorrow
. Thy pity without end?
. O make me Thine forever
. And should I fainting be, Lord
. Let me never, never
. Outlive my love to Thee”
(PASTOR carries a Bible to the front as the LIGHTS DIM.)
. STAGE RIGHT - LILY’S HOUSE
(ADRIANA enters from the inner room and sits at the table
with a cup of tea. MARCUS and LILY enter from outside.)
ADRIANA You actually went to church, brother dear?
LILY (seriously) It was a marvelous service.
ADRIANA Marcus, do you think the same?
LILY He has been silent the entire walk home. 58
ADRIANA Was your dear Miss Elizabeth in attendance?
(There is no answer from MARCUS. LILY answers.)
LILY Yes, she was.
ADRIANA (to MARCUS) Is something perplexing you
. which outweighs the topic of a woman?
. You realize, you do have the choice
. to ignore their attempts to convert you.
MARCUS But how can I ignore what God says,
. and what God has done – for everyone – for me?
ADRIANA Do you not have a quip for the moment?
MARCUS I will give you a quip! I thought I was
. greatly humiliated when we lost everything
. and had to leave our opulent house and status.
. But God - CHOSE – the ultimate humility.
. God chose to leave heaven and His heavenly
. throne of grandest proportions. God humbled
. Himself by coming to this earth, to be further
. humbled by MEN – to hang on a cross as a common
. thief - to pay for all our crimes!
ADRIANA I have committed no crimes.
MARCUS We all have. Have you never had any evil
. thoughts? Have you ever been selfish?
. Have you ever been jealous?
. (at ADRIANA’S silence, MARCUS turns to LILY)
. I need to take a walk.
(MARCUS exits. LIGHTS DIM)
SCENE CHANGE EXCERPT 12: Mozart’s Contradance in G Major
. CENTER STAGE - CITY SQUARE
(MARCUS walks along and sees HELEN selling tarts.)
MARCUS (smiling) It is the Sabbath, dear woman.
. You should not be working –
HELEN You have taken most of my business away. 59
. This is the only day I can make any money.
. I fear I cannot survive because of you!
MARCUS (smile drops and becomes humble)
. Of course, I never thought of that –
HELEN Why would you?
MARCUS (starts to walk away sadly, then steps back)
. We need your help! Would you come work for us?
MARCUS I offer you a job with a generous income.
. If you wish to work, come to our barn at
. the edge of town, bright and early.
. Will you be there? What is your name?
HELEN Helen. Aye. Ah, yes – yes, I will be there.
MARCUS Excellent. Well then, Helen, as your employer,
. please take the rest of the day off.
(With a nod, MARCUS walks back toward the house.
HELEN is stunned, then smiles and almost skips away.)
SCENE CHANGE EXCERPT 13: Mozart’s Contradance in G Major
. STAGE RIGHT - LILY’S HOUSE
(MARCUS enters to find LILY reading her Bible. ADRIANA
does some stitch work. MARCUS waits for LILY to look up.)
MARCUS You know, I don’t think I have really thanked
. you, Lily. You’ve really shared a lot with us.
. More than you could ever realize. It outweighs
. the amount of times we can say thank you.
LILY Well, you can thank God for all of that.
. He is the One who prompts my heart.
. And He is the provider of everything.
. I’d help more people if I could.
MARCUS Yes, interesting you see it that way.
. I have just hired some help. Here name is
. Miss Helen. She will start tomorrow.
ADRIANA Just one person?
LILY It is one more than now.
MARCUS As you say, God will provide.
ADRIANA What is with you? It is as if a load
. has been lifted from your shoulders.
MARCUS Indeed. That was my next bit of news.
. I am now a believer.
. My sins have been lifted from my
. heart and soul and shoulders.
. I am a new man.
LILY Oh, such marvelous news. You have become
. like a son to me, and now - you have become
. a brother in Christ.
(LILY rushes to hug MARCUS.)
ADRIANA (rolling her eyes) Were we not going to market
. to make some trades? Time is wasting.
MARCUS On the Sabbath, Adriana? Tomorrow,
. we will work. Work as unto the Lord.
ADRIANA (feels betrayed and continues with resolve)
. I am merely working for myself, thank you.
MARCUS I pray you find a higher purpose than that.
ADRIANA Am I to now hear sermons from you too?
MARCUS I am done. Lily, is there a sermon from you?
ADRIANA Do not encourage her!
LILY (chuckling) Peace to you, child.
ADRIANA Good, now leave me alone to my stitch work.
SCENE CHANGE EXCERPT 14: Mozart’s Andante in C Major
. CENTER STAGE - CITY SQUARE 61
(MARCUS and ADRIANA carry baskets of produce. ADRIANA
follows MARCUS as he holds up a tomato to examine.)
MARCUS Look at this, Adriana, ‘tis such a miracle.
ADRIANA (dryly) ‘Tis a tomato.
MARCUS This is produce that we have grown.
. This came from seeds which we placed
. in the soil ourselves. It rather fills
. the heart with awe, does it not?
ADRIANA Hm, so much awe.
MARCUS What is your problem?
ADRIANA Marcus, less chit-chat and more focus.
. We have mountains of tarts to make.
. What happened to the money-hungry slave-driver?
MARCUS I keep telling you, I am no longer that Marcus.
. All right, let’s exchange our produce for
. the pastry ingredients first – and then -
(A gentry couple, AUDREY and JOHN, overhear this.)
AUDREY Oh, are you the ones who make the world’s
. best pastries? (MARCUS nods with a smile)
. We are having a huge gala next weekend.
. Would it be possible to order 200 tarts?
JOHN 200? Audrey, that sounds like a mountain.
AUDREY Yes dear, but remember, there are 200 guests.
. We need at least one tart per person.
JOHN Oh, then should not each man get two?
AUDREY (to MARCUS) That would bring it to 300.
(Without letting the couple see her, ADRIANA stares
at MARCUS and shakes her head frantically.)
JOHN Do what you think best, sweetheart.
AUDREY 300 it is then - for next weekend. 62
(Setting down her basket, ADRIANA’s expressions
and motions become more and more frantic.)
MARCUS Of course - we would need at least half of
. the payment up front. All the ingredients
. need to be purchased. As well as a few
. more pans.
JOHN That should not a problem. I will come by
. tomorrow to make the final arrangements.
(As AUDREY and JOHN walk away, ADRIANA flies at MARCUS.)
ADRIANA What did you do?-What did you do?
(BEGGAR KIDS see this and laugh. ADRIANA stops and
tries to calm herself. MARCUS rubs his shoulder.)
MARCUS I can honestly say - you have become much
ADRIANA But I have not the strength to keep on
. like this. We cannot keep up with the orders
. we already have. Even with the extra help.
MARCUS Wait, I thought you wanted to work more?
ADRIANA NOOOO! I just wanted you to stop talking about
. God and such. So, now what? What will we do?
MARCUS God will provide a way. (ADRIANA gags)
BRICE Hey, so will this God provide us some tarts?
(ELIZABETH and BERNARD enter in time to see BEGGAR KIDS
distract MARCUS and ADRIANA. Clenching her fists,
ADRIANA lunges at the KIDS, who scatter a bit.
They laugh again, and get ready to run. MARCUS holds
ADRIANA back and calls.)
MARCUS Children! Wait! How would you like
. to have a place to sleep and food to eat?
ADRIANA (swinging around to face MARCUS) What?!
KID 1 Tarts? 63
MARCUS Maybe on special occasions, but there would be
. other food. And a bit of pay for making tarts.
ADRIANA (aside to MARCUS) Now what are you doing?
BRICE What’s the rub, mister?
MARCUS Yes, wise boy, there IS a rub. You will work –
. making tarts, and doing a few other chores.
BRICE (walking away) Who wants to work?
MARCUS That is what I once said. I had a fortune,
. and refused to work. I lost it all.
(This gets the attention from a few of the BEGGAR KIDS.)
BRICE (yells from distance) So you understand then –
. I’m my own boss, and I say I don’t wanna work.
TINA But I want to eat.
KID 1 And sleep in a warm place.
MARCUS All right then, those who do not want to work
. are excused. Anyone wanting to work,
. come here. (waits while more KIDS come forward)
. I expect there to be quality work.
. You will listen and obey, or you will be out.
(TINA hugs ADRIANA’S legs. ADRIANA cannot help but
melt slightly, but looks at MARCUS.)
ADRIANA And where exactly will they sleep?
MARCUS The hayloft. We will fix it up nicely.
. The oven below will keep them warm.
(ADRIANA nods with a realization that this would work.
MARCUS does not notice ELIZABETH and BERNARD at the side,
as he keeps glancing the other way to look for BRICE.)
MARCUS Why don’t you take the children home,
. and explain the matter to Lily.
. I will be along shortly.
(Getting baskets, ADRIANA exits stage right with KIDS.
MARCUS turns to pursue BRICE, who lingers in background,
but ELIZABETH steps forward, followed by BERNARD.)
MARCUS Oh, good day, to you, Miss Walters.
ELIZ Good day, Mr. Stealthbury.
BERNARD Quite the labor force, you have there.
MARCUS At least it will get them off the street.
ELIZ And much better than working in the factories.
MARCUS (speaks while keeping BRICE in his sights)
. And if they are willing, I can hold a few
. classes to teach them to read and such.
BERNARD Are you trying to impress Miss Walters?
MARCUS Huh? Ah, just thinking aloud.
ELIZ I think it’s a marvelous idea... I have also
. noticed your attendance in church lately.
. (BERNARD rolls his eyes.)
MARCUS I – have become a believer.
ELIZ That is the best news!
BERNARD And this said with hopes to win the
. lady’s heart?
MARCUS I understand and appreciate your skepticism,
. sir. If I were not “me”, I would be wary too.
ELIZ But with your newfound business sense,
. you could find yourself obtaining the
. position of a gentry.
MARCUS The quality of a man is not summed up by
. his earthly possessions, or his position.
BERNARD A comforting thought dreamed up by
. the peasants? (ELIZ is offended by this)
MARCUS “Man in his pomp, yet without understanding, 65
. is like the beast that perishes.”
ELIZ That is from the Psalms? You have changed.
(HENRY MADISON enters at the other side to wander about.
BERNARD sees him, and slowly smiles.)
BERNARD Well, time will soon tell...
(MARCUS wonders what BERNARD has seen. Turning around,
MARCUS sees HENRY and quickly turns forward again.)
MARCUS (angry) Henry Madison!...
. (struggling for composure) A test!
ELIZ Are you all right?
MARCUS I am surprised there is still anger.
. One can forgive, and forgive again.
BERNARD Put it to rest! You aren’t fooling anyone.
ELIZ What are you encouraging, Bernard?
(MARCUS turns and braces himself before approaching.
OFFICERS 1 and 2 enter in the background. Seeing the
OFFICERS, BERNARD has an idea and walks over to them.)
BERNARD (commenting aside to ELIZ) As the man said,
. it is a test. How he handles this encounter
. will be telltale.
ELIZ (unable to stop BERNARD) Bernard! Really!
BERNARD Officers, I must alert you at once.
. There could be trouble brewing.
(BERNARD points a finger in MARCUS’S direction.
OFFICERS brush past BERNARD, hands ready on their
night sticks. They watch as MARCUS steps up to HENRY,
who stops short in his tracks and fidgets nervously.)
HENRY Marcus. This is most awkward. H- ah – um.
MARCUS How am I? You mean, since you stole my entire
. estate from beneath me?
HENRY I – ah – it was n-
MARCUS You can call it what you want – or have to –
. in order to sleep at night. Ultimately –
. you will have to answer to a higher power.
. But, to go back to your original question,
. (lighter) I have been doing surprisingly well.
. (somber again) I – have forgiven you,
. Henry Madison. ONLY with God’s help, mind you.
HENRY This does not sound like the Marcus
. Stealthbury I knew. No more quips?
MARCUS Indeed, I have a quip. It took losing
. everything, in order to gain what was
. most important.
(MARCUS nods, then steps away to go back to ELIZABETH and
BERNARD. HENRY collects himself, then exits hurriedly.
The OFFICERS give BERNARD a questioningly look.
BERNARD shrugs, and the OFFICERS exit. ELIZABETH glares
at BERNARD, then smiles at MARCUS as he returns.)
BERNARD (back to MARCUS) That was most impressive.
MARCUS (sighing) I am glad that is done.
. I have been dreading that encounter for months.
. (smiling) Now, I really should return home.
ELIZ Will you perhaps call on me?
MARCUS Perhaps, but certainly I will see you
. in church.
ELIZ What about our pastry deliveries?
MARCUS (eyes BRICE who lingers in background)
. Hopefully, I will be hiring someone to handle
. that job. (looks to ELIZABETH, smiling)
. Give my regards to your parents.
(MARCUS nods and walks toward BRICE. ELIZABETH and
BERNARD nod slightly. ELIZABETH steals a peek back
as they exit. MARCUS stops BRICE from running away.)
BRICE Look, I don’t wanna make no tarts.
MARCUS What about something else- What if-
. it was work that you enjoyed doing?
BRICE What are you talking about?
MARCUS Driving a horse and wagon.
BRICE (trying not to like the idea, but really does)
. That – might be okay.
MARCUS You can help purchase the horse and wagon,
. which will provide you lessons in negotiating.
. And I trust you will learn to care for the
. horse, as well as maintain the wagon.
BRICE Why are you doing this?
MARCUS Well, for one, we can help each other.
. And for another, someone
. once did the same for me.
. And - oddly enough – I care – about you.
. (BRICE looks skeptically at MARCUS.)
. I really do. And I see we are a lot alike.
(MARCUS escorts BRICE off stage right as they talk.)
BRICE So I can live with you?
MARCUS Yes, and you will attend church services
. with us as well.
(BRICE balks at this statement with hands on hips.
MARCUS stops walking briefly to comment.)
MARCUS You will see, it is possible to find joy
. in life – in ALL circumstances.
(Smiling, MARCUS guides BRICE off with a hand on his
shoulder as ALL PEOPLE come out to sing.)
SONG 7: “Joyful, Joyful, We Adore Thee”
(POOR enter from stage right. RICH enter from
stage left. GENTRY enter from center back [or right].
ALL stand in their status groups.)
ALL (sing vs.4) Mortals, join the happy chorus 68
. Which the morning stars began
. Father love is reigning o’er us
. Brother love binds man to man
(ALL look at different groups and start to acknowledge
one another with polite, sincere nods and bows.)
ALL (sing vs.4) Ever singing, march we onward,
. Victors in the midst of strife,
. Joyful music leads us sunward
. In the triumph song of life!
(ALL start walking towards people in the different groups
to face each other, making up couples of mixed statuses.)
ALL (sing vs.3) Thou art giving and forgiving,
. ever blessing, ever blest
. well-spring of the joy of living
. ocean depth of happy rest.
(ALL look the person opposite them and nod again,
Look forward, and motion with joy to the “sky”.)
ALL (sing vs.3) Thou our Father Christ, our Brother
. all who live in love are Thine,
. Teach us how to love each other,
. life us to the joy divine.
(RICH men dance a very proper dance with the POOR women.
POOR men dance more of a reel with the RICH women.)
ALL (sing vs.1) Joyful, joyful, we adore Thee,
. God of glory, Lord of love;
. Hearts unfold like flowers before Thee,
. Opening to the sun above.
. Melt the clouds of sin and sadness,
. Drive the dark of doubt away
. Giver of immortal gladness,
. Fill us with the light of day.